Under the direction of Carlos Corona, the production included versatile design choices eliciting clever visuals, but its young cast ultimately came up short in their efforts to plunder the emotional depths of the play's characters.Īn upstage rotunda of columns and archways formed the backdrop for a large, circular performance space that included three rolling, high-backed benches seemingly plucked from the arabesque patios of Spain's southern palaces. Closing night of the 2011 Siglo de Oro Drama Festival in El Paso, Texas, welcomed the Escuela Nacional de Arte Teatral back to the Chamizal stage with their adaptation of the best-known play attributed to Tirso de Molina, El burlador de Sevilla.
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